Duncan Rawlinson

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  • https://Duncan.co/person-on-the-edge
    Duncan-Rawlinson-Photo-599429-Canyon...jpg
  • https://Duncan.co/boulder-on-the-edge
    Boulder On The Edge
  • http://Duncan.co/the-smoker
    The Smoker
  • https://Duncan.co/icicles-on-cliff-black-and-white
    Duncan-Rawlinson-Photo-684325-Winter...jpg
  • Gloucester Tree Australia 001.jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-521723-Burnin...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-521706-Burnin...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-517581-Burnin...jpg
  • Wedding at the Church Trap by: Rebekah Waites from: lakewood, CA year: 2013<br />
<br />
Church Trap is an interactive wonderland for the religiously rebellious. A large-scale decaying church, tipped on its axis like a box trap. Not only does it push participants to ask the question “why”, but it also invites the daring to take control of the many interactive features. A tricked out church organ, part central LED nervous system, part beautifully wicked installation art. It is your God. Or, are you its? Whatever the answer, play at your own risk. Feeling even more daring? Why not put your spiritual and religious beliefs to test by playing The Machine – an 80’s style upright video game. It might want to play “pulpit”, but it’s all “confessional”. URL: http://www.churchtrap.com Contact: rebekart@yahoo.com
    Duncan-Rawlinson-Photo-37333-Burning...jpg
  • Church Trap by: Rebekah Waites from: lakewood, CA year: 2013<br />
<br />
Church Trap is an interactive wonderland for the religiously rebellious. A large-scale decaying church, tipped on its axis like a box trap. Not only does it push participants to ask the question “why”, but it also invites the daring to take control of the many interactive features. A tricked out church organ, part central LED nervous system, part beautifully wicked installation art. It is your God. Or, are you its? Whatever the answer, play at your own risk. Feeling even more daring? Why not put your spiritual and religious beliefs to test by playing The Machine – an 80’s style upright video game. It might want to play “pulpit”, but it’s all “confessional”. URL: http://www.churchtrap.com Contact: rebekart@yahoo.com
    Duncan-Rawlinson-Photo-37285-Burning...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-521666-Burnin...jpg