Duncan Rawlinson

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  • http://Duncan.co/waters-edge-at-sunrise-2
    Water's Edge At Sunrise 2
  • https://Duncan.co/winter-wonderland-at-the-ponds-edge
    Duncan-Rawlinson-Photo-720679-Catara...jpg
  • https://Duncan.co/edge-of-the-river
    Duncan-Rawlinson-Photo-760102-Fall-1...jpg
  • https://Duncan.co/tree-with-fall-color-at-edge-of-forest
    Duncan-Rawlinson-Photo-658215-Rural-...jpg
  • https://Duncan.co/fall-color-at-the-edge-of-the-lake
    Duncan-Rawlinson-Photo-656573-Algonq...jpg
  • https://Duncan.co/red-barn-on-the-edge-of-lake-ontario
    Duncan-Rawlinson-Photo-580606-Summer...jpg
  • https://Duncan.co/snow-covered-trees-at-the-edge-of-the-forest
    Duncan-Rawlinson-Photo-671620-Winter...jpg
  • https://Duncan.co/edge-of-the-dunes
    Duncan-Rawlinson-Photo-456160-Great-...jpg
  • https://Duncan.co/edge-of-forest-fall-color
    Duncan-Rawlinson-Photo-755291-Algonq...jpg
  • https://Duncan.co/edge-of-the-forest-02
    Duncan-Rawlinson-Photo-684589-Winter...jpg
  • https://Duncan.co/fall-color-at-the-edge
    Duncan-Rawlinson-Photo-755238-Algonq...jpg
  • https://Duncan.co/tree-on-the-edge-of-the-river
    Duncan-Rawlinson-Photo-716158-Summer...jpg
  • https://Duncan.co/person-on-the-edge
    Duncan-Rawlinson-Photo-599429-Canyon...jpg
  • https://Duncan.co/edge-of-the-pond
    Duncan-Rawlinson-Photo-663781-Fall-2...jpg
  • https://Duncan.co/edge-of-the-forest
    Duncan-Rawlinson-Photo-541952-Fall-2...jpg
  • https://Duncan.co/colorful-trees-at-edge-of-field
    Duncan-Rawlinson-Photo-659665-Fall-2...jpg
  • https://Duncan.co/boulder-on-the-edge
    Boulder On The Edge
  • https://Duncan.co/layers-at-the-edge-of-the-forest
    Duncan-Rawlinson-Photo-683384-Winter...jpg
  • https://Duncan.co/boy-at-the-edge-of-the-falls
    Boy At The Edge Of The Falls
  • http://Duncan.co/edge-of-civilization
    Edge Of Civilization
  • https://Duncan.co/edge-of-the-ice-and-the-river
    Duncan-Rawlinson-Photo-415567-Winter...jpg
  • http://Duncan.co/waters-edge-at-sunrise/
    Water's Edge At Sunrise, June Lake, ..rica
  • https://Duncan.co/dramatic-sky-and-whitecaps
    Duncan-Rawlinson-Photo-481937-Swans-...jpg
  • https://Duncan.co/outskirts-of-badlands-national-park
    Duncan-Rawlinson-Photo-504754-Badlan...jpg
  • http://Duncan.co/golden-gunnison-river
    Golden Gunnison River
  • http://Duncan.co/niagara-falls-panorama
    Niagara Falls Panorama
  • http://Duncan.co/broken-heart
    Broken Heart
  • https://Duncan.co/dead-trees-and-pond-in-the-rain
    Duncan-Rawlinson-Photo-663780-Fall-2...jpg
  • https://Duncan.co/niagara-falls-at-night
    Duncan-Rawlinson-Photo-302888-Road-T...jpg
  • https://Duncan.co/lemon-island
    Duncan-Rawlinson-Photo-549638-Calm-D...jpg
  • https://Duncan.co/small-pond-with-dead-tree-and-fall-color
    Duncan-Rawlinson-Photo-541726-Aerial...jpg
  • https://Duncan.co/small-island-in-the-st-lawrence-river
    Duncan-Rawlinson-Photo-542189-Fall-2...jpg
  • https://Duncan.co/green-river-overlook-03
    Duncan-Rawlinson-Photo-459249-Canyon...jpg
  • https://Duncan.co/person-sitting-on-bench-alone
    Person Sitting On Bench Alone
  • http://Duncan.co/niagara-falls-panorama-2
    Niagara Falls Panorama 2
  • http://Duncan.co/buffalo-point-patterns
    Buffalo Point Patterns
  • http://Duncan.co/sunset-split
    Sunset Split
  • http://Duncan.co/ice-and-trees-in-the-fog
    Ice And Trees In The Fog
  • https://Duncan.co/bent-trees-in-the-forest-03
    Duncan-Rawlinson-Photo-554893-Wolf-T...jpg
  • https://Duncan.co/two-small-islands
    Duncan-Rawlinson-Photo-541900-Fall-2...jpg
  • http://Duncan.co/nikola-tesla-monument
    Nikola Tesla Monument
  • Dusk On The Edge
    0542-Duncan-Rawlinson-Photo-743360-B...jpg
  • https://Duncan.co/autumns-edge-a-vibrant-tapestry-of-color
    Duncan-Rawlinson-Photo-663791-Fall-2...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259770-Burnin...jpg
  • Charon by: Peter Hudson from: San Francisco, CA year: 2017<br />
<br />
A gigantic 30′ spinning wheel with posed human skeletons mounted on its inner edge, Charon is fully powered by a minimum of 12 people working in unison. Participants are invited to pull a series of 6 ropes which cause the wheel to rotate progressively faster. When the rope pullers are coordinated enough to get the wheel spinning at the correct speed, a strobe is activated, revealing the skeletons’ animation. The animation tells the story of Charon, the mythological gondolier and ferryman of Hades who carried the souls of the recently departed across the river Styx, the last right of passage on the way to the afterlife. This piece debuted at Burning Man, 2011. URL: https://www.hudzo.com/charon/ Contact: peter@hudzo.com
    Duncan-Rawlinson-Photo-444558-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259815-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259752-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259741-Burnin...jpg
  • Mazu Goddess of the Empty Sea from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea floor
    Duncan-Rawlinson-Photo-262753-Burnin...jpg
  • Hiking The Chief Squamish BC 026.jpg
  • Hiking The Chief Squamish BC 047.jpg
  • Hiking The Chief Squamish BC 027.jpg
  • Roshanai (Illuminate) by Charles Gadeken from: San Francisco, CA year: 2016<br />
<br />
ROSHANAI is a path of enlightenment, shifting colors in static form. Along this corridor, perspective changes and opposites unite. Islamic mathematical art is married to the great Western landscape, serenaded with the voice of your heart and the whisper of the Playa.<br />
ROSHANAI comprises two double-walled panels that create a 108-ft long tunnel of light and sound with a 3-ft corridor. The sides of the hallway rise from 8-ft tall at the ends to 12-ft tall at the apex in the middle. Simultaneously, the panels sink into the ground to form a shallow valley. Fractal arrangements of Islamic geometric patterns are cut into the outside panels, lit from within to illuminate the patterns and cast fantastic night shadows. The entrances will be 16-ft tall gates inspired by the Great Mosque of Isfahan in Iran, pointed arches filled with sacred geometry. The inside walls are smooth and lit in solid colors by daylight-visible LED spotlights embedded in the edges of the floor. URL: http://www.charlesgadeken.com/roshanai
    Duncan-Rawlinson-Photo-307279-Burnin...jpg
  • Pomo by Gregg Fleishman<br />
<br />
POMO embodies the structural geometry of the cubic world, more specifically of a 3D checkerboard of cubes expanded to interconnect. The fabric of space. Clustered as a group of five pods with a spire on a pyramidal tiered base it evokes a vessel, perhaps a Genies Bottle? Or is it similar to a pomegranate, an ancient multi-chambered fruit with lots of red seeds? Consisting of fully truncated rhombic dodecahedral pods where the panels are what is left of the faces and the connectors crossing what would be their edges, they include floors and seat backs, and are designed to hold as many people as can fit in or on them, being made from solid birch plywood panels and connecting parts and an engineered LVL lumber frame.<br />
<br />
URL: https://www.greggfleishman.com<br />
Contact: studio@greggfleishman.com
    0200-Duncan-Rawlinson-Photo-751206-B...jpg
  • HYBYCOZO - Heart of Gold from: San Francisco, CA year: 2016<br />
<br />
Sculpture 1- The Improbability Drive will consist of an all-pipe skeletal frame connecting into a mirrored hypercube shape made of mirror. The inside shape, a rhombic dodecahedron, has an optical illusion that looks like 3 different shapes in 3 different perspectives. The mirror shape on the inside will reflect the outside edges, creating a 4D dimensional hypercube effect. Sculpture 2- The Heart of Gold – will consist of a skeletal frame of a rhombic triactohedron and from its top-most point will hang a super intricate laser cut HYBYCOZO sculpture that will cast shadows far into the playa. This outer skeletal shape is the most complex shape that DaVinci drew and will form a super fun dome-like jungle gym. Sculpture 3- Hyperspace Bypass- A stacked set of 11 HYBYCOZO rhombic dodecahedrons shapes set on top of each other tessellating perfectly in 3D space. Its form is reminiscent of an iceberg or a 4D pyramid. In the day it will looking like a gleaming gold multifactored pyramid. URL: http://www.hybycozo.com Contact: hybycozo@gmail.com
    Duncan-Rawlinson-Photo-305970-Burnin...jpg