Duncan Rawlinson

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  • https://Duncan.co/serene-path-through-the-trees
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  • https://Duncan.co/radiant-common-reed
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  • https://Duncan.co/paddling-past-submerged-tree
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  • https://Duncan.co/do-not-enter-high-water
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  • https://Duncan.co/abandoned-vehicles-in-the-forest
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  • https://Duncan.co/storm-over-ottawa-02
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  • https://Duncan.co/storm-over-ottawa
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  • https://Duncan.co/forest-fire
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  • https://Duncan.co/fire-stop-in-yellowstone
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  • https://Duncan.co/jeep-in-the-snow
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  • https://Duncan.co/water-splashing-at-dock
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  • https://Duncan.co/lightning-and-farm
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  • https://Duncan.co/jersey-barriers-in-water
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  • https://Duncan.co/lightning-over-white-rock-bay
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  • http://Duncan.co/ice-breaking-up-into-small-pieces
    Ice Breaking Up Into Small Pieces
  • http://Duncan.co/couple-riding-bikes-and-smoke-from-wildfires
    Couple Riding Bikes And Smoke From W..ires
  • http://Duncan.co/stone-and-ice-triangle
    Stone And Ice Triangle
  • http://Duncan.co/abstract-painting-by-mother-nature
    Abstract Painting By Mother Nature
  • https://Duncan.co/vehicle-with-fall-color-and-brick-building
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  • https://Duncan.co/colourful-boathouses
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  • https://Duncan.co/ice-flow-at-small-island
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  • https://Duncan.co/flooded-spaceport/
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  • https://Duncan.co/coal-power-plant
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  • https://Duncan.co/sea-level-rise
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  • https://Duncan.co/sinclair-oil-refinery-wyoming
    Sinclair Oil Refinery Wyoming
  • http://Duncan.co/battling-the-snow
    Battling The Snow
  • http://Duncan.co/underwater-city
    Underwater City
  • http://Duncan.co/better-living-centre
    Better Living Centre
  • http://Duncan.co/battling-the-snow-2
    Battling The Snow 2
  • https://Duncan.co/bitcoin
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  • love, earth by: The love, earth writer collective from: Vancouver, British Columbia, Canada year: 2019 The largest love letter movement ever conceived. The purpose: to inspire a clean climate future by spreading simple commitments to our planet. The art is intended to mobilize citizens to use the power of sending and receiving letters of love from Earth to change, contribute and commit to an environment that we can all be proud of. The installation will be large enough to be captured from space, and thus our imaginations. In year one, a sky-facing comma will emerge and form a love letter altar. Within the wood structure, a writing area would support a hanging collection of completed letters, growing organically, drawing on attendees to contribute to a siren call from Earth, distributed around the world after the event by the artists. URL: http://love.lettersfromearth.org/installation Contact: love@lettersfromearth.org https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T96KUAS
    Duncan-Rawlinson-Photo-590090-Burnin...jpg
  • Long View, a polar bear stands in the desert by: Don Kennell and Arctic Burn 505 from: Santa Fe, NM year: 2018<br />
<br />
A 34 foot polar bear made from white car hoods looks across the boundless vista of Black Rock City. The polar bear is an unlikely visitor to the Playa made from materials transformed from another time and place. Manifesting forces of climate change, she is searching for allies. Taking the “Long View” is crucial to survival. Combining content and joy, we ask the viewer to develop a relationship with the animal. Polar bears help humans imagine a faraway place, a place most will never visit. They are uniquely positioned as ambassadors to bring the arctic into human awareness. Animals disappear to make room for our cars. Turning wrecked cars into monumental animals visually reverses this process and impacts the consciousness of the viewer. Contact: arcticburn505@gmail.com
    Duncan-Rawlinson-Photo-521214-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-445040-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-449471-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-447515-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-446934-Burnin...jpg
  • Fire Dancer and The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-446412-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-445043-Burnin...jpg
  • love, earth<br />
by: The love, earth writer collective<br />
from: Vancouver, British Columbia, Canada<br />
year: 2019<br />
<br />
The largest love letter movement ever conceived. The purpose: to inspire a clean climate future by spreading simple commitments to our planet. The art is intended to mobilize citizens to use the power of sending and receiving letters of love from Earth to change, contribute and commit to an environment that we can all be proud of.<br />
<br />
The installation will be large enough to be captured from space, and thus our imaginations. In year one, a sky-facing comma will emerge and form a love letter altar. Within the wood structure, a writing area would support a hanging collection of completed letters, growing organically, drawing on attendees to contribute to a siren call from Earth, distributed around the world after the event by the artists.<br />
<br />
URL: http://love.lettersfromearth.org/installation<br />
Contact: love@lettersfromearth.org<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T96KUAS
    549-Duncan-Rawlinson-Photo-590085-Bu...jpg
  • Love Her But Leave Her Wild - Atticus<br />
<br />
love, earth<br />
by: The love, earth writer collective<br />
from: Vancouver, British Columbia, Canada<br />
year: 2019<br />
<br />
The largest love letter movement ever conceived. The purpose: to inspire a clean climate future by spreading simple commitments to our planet. The art is intended to mobilize citizens to use the power of sending and receiving letters of love from Earth to change, contribute and commit to an environment that we can all be proud of.<br />
<br />
The installation will be large enough to be captured from space, and thus our imaginations. In year one, a sky-facing comma will emerge and form a love letter altar. Within the wood structure, a writing area would support a hanging collection of completed letters, growing organically, drawing on attendees to contribute to a siren call from Earth, distributed around the world after the event by the artists.<br />
<br />
URL: http://love.lettersfromearth.org/installation<br />
Contact: love@lettersfromearth.org<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T96KUAS
    551-Duncan-Rawlinson-Photo-590088-Bu...jpg