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Duncan-Rawlinson-Photo-298620-1000-I...jpg
Duncan-Rawlinson-Photo-684095-Winter...jpg
1000 Islands Chairs
Duncan-Rawlinson-Photo-655730-Algonq...jpg
Three Red Chairs
Duncan-Rawlinson-Photo-611736-Fall-2...jpg
Duncan-Rawlinson-Photo-661866-Fall-2...jpg
Lightning At Mallorytown Landing
Nullarbor Australia 009.jpg
Melbourne Australia 013.jpg
Big White 153.jpg
Perth Australia 001.jpg
Big White 111.jpg
Duncan-Rawlinson-Photo-660139-Fall-2...jpg
Chair In Abandoned Building
Woman Sitting In Lawn Chair
Duncan-Rawlinson-Photo-312623-Burnin...jpg
Duncan-Rawlinson-Photo-303039-Road-T...jpg
Barcelona April 2010 001.jpg
Blue Derelict Building
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462-Duncan-Rawlinson-Photo-588185-Bu...jpg
Melbourne Australia 018.jpg
Lisbon Portugal 045.jpg
Barcelona La Sagrada FamÃlia 019.jpg
Barcelona April 2010 040.jpg
Big White 001.jpg
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079-Duncan-Rawlinson-Photo-706602-Bu...jpg
0098-Duncan-Rawlinson-Photo-517015-B...jpg
Big White 231.jpg
Melbourne Australia 019.jpg
Beanbag Chairs for Watching Films XO.. 049
![This photo is upside down. This is how Gaudi figured out how to design La Sagrada Familia, by hanging lead weights by string to create perfect curves for the supports...Wikipedia:...Gaudí spent ten years working on studies for the design of La Sagrada Família and developing a new method of structural calculation based on a model built with cords and small sacks of lead shot. The outline of the church was traced on a wooden board (1:10 scale), which was then placed on the ceiling of a small house next to the work site. Cords were hung from the points where columns were to be placed. The sacks of pellets, weighing one ten-thousandth part of the weight the arches would to support, were hung from each catenaric arch formed by the cords. Photographs were then taken of the resulting model from various angles. When the photographs were turned upside-down, the lines of tension formed by the cords and weights revealed the lines of pressure of the compressed structure. This is one of the ways that Gaudí obtained natural forms in his work...The same expressive power of Gaudí's monumental works exists in his oddly graceful chairs and tables. Gaudí's architecture is a total integration of materials, processes and poetics. His approach to furniture design exceeded structural expression and continued with the overall architectural idea.[20]..en.wikipedia.org/wiki/Antoni_Gaud%c3%ad ( http://en.wikipedia.org/wiki/Antoni_Gaud%c3%ad )](https://photo.duncan.co/img-get2/I0000C6HKhM84Qjo/fill=/fit=200x200/I0000C6HKhM84Qjo.jpg)
![This photo is upside down. This is how Gaudi figured out how to design La Sagrada Familia, by hanging lead weights by string to create perfect curves for the supports...Wikipedia:...Gaudí spent ten years working on studies for the design of La Sagrada Família and developing a new method of structural calculation based on a model built with cords and small sacks of lead shot. The outline of the church was traced on a wooden board (1:10 scale), which was then placed on the ceiling of a small house next to the work site. Cords were hung from the points where columns were to be placed. The sacks of pellets, weighing one ten-thousandth part of the weight the arches would to support, were hung from each catenaric arch formed by the cords. Photographs were then taken of the resulting model from various angles. When the photographs were turned upside-down, the lines of tension formed by the cords and weights revealed the lines of pressure of the compressed structure. This is one of the ways that Gaudí obtained natural forms in his work...The same expressive power of Gaudí's monumental works exists in his oddly graceful chairs and tables. Gaudí's architecture is a total integration of materials, processes and poetics. His approach to furniture design exceeded structural expression and continued with the overall architectural idea.[20]..en.wikipedia.org/wiki/Antoni_Gaud%c3%ad ( http://en.wikipedia.org/wiki/Antoni_Gaud%c3%ad )](https://photo.duncan.co/img-get2/I0000UnskdyCVS7c/fill=/fit=200x200/I0000UnskdyCVS7c.jpg)
