Duncan Rawlinson

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  • https://Duncan.co/painted-wall-view-black-canyon-of-the-gunnison-national-park
    Painted Wall View Black Canyon of th..Park
  • https://Duncan.co/hickman-natural-bridge
    Duncan-Rawlinson-Photo-595823-Capito...jpg
  • https://Duncan.co/metal-silhouette-of-cowboys-on-a-cattle-drive
    Duncan-Rawlinson-Photo-595266-Great-...jpg
  • https://Duncan.co/layers-at-bryce-canyon
    Duncan-Rawlinson-Photo-316340-Bryce-...jpg
  • https://Duncan.co/dusk-at-bryce-canyon-national-park-02
    Duncan-Rawlinson-Photo-316895-Bryce-...jpg
  • https://Duncan.co/logs-in-a-small-stream
    Duncan-Rawlinson-Photo-594915-Great-...jpg
  • https://Duncan.co/dead-horse-point-sunset-02
    Duncan-Rawlinson-Photo-600792-Canyon...jpg
  • https://Duncan.co/grand-view-point-overlook-sunrise-02
    Duncan-Rawlinson-Photo-601568-Canyon...jpg
  • https://Duncan.co/morning-at-grand-view-point-overlook
    Duncan-Rawlinson-Photo-601939-Canyon...jpg
  • https://Duncan.co/delicate-arch-at-dusk
    Duncan-Rawlinson-Photo-604521-Arches...jpg
  • https://Duncan.co/lower-falls-yellowstone-02
    Duncan-Rawlinson-Photo-506879-Yellow...jpg
  • https://Duncan.co/grand-view-point-overlook-under-moonlight
    Duncan-Rawlinson-Photo-601194-Canyon...jpg
  • https://Duncan.co/cloudy-sunrise-at-great-basin
    Duncan-Rawlinson-Photo-594972-Great-...jpg
  • https://Duncan.co/bighorn-sheep-at-zion-national-park
    Duncan-Rawlinson-Photo-317865-Zion-N...jpg
  • https://Duncan.co/crevices-at-black-canyon-of-the-gunnison-national-park
    Duncan-Rawlinson-Photo-320350-Black-...jpg
  • https://Duncan.co/man-at-green-river-overlook
    Duncan-Rawlinson-Photo-599429-Canyon...jpg
  • https://Duncan.co/mesa-arch-at-sunrise-02
    Duncan-Rawlinson-Photo-320092-Mesa-A...jpg
  • https://Duncan.co/layers-at-mammoth-hot-springs
    Duncan-Rawlinson-Photo-508254-Yellow...jpg
  • https://Duncan.co/rusted-old-appliances
    Duncan-Rawlinson-Photo-594726-Great-...jpg
  • https://Duncan.co/dead-tree-at-mammoth-lower-terraces
    Duncan-Rawlinson-Photo-508250-Yellow...jpg
  • https://Duncan.co/green-river-overlook-03
    Duncan-Rawlinson-Photo-459249-Canyon...jpg
  • https://Duncan.co/man-wearing-pro-gun-t-shirt-and-socks
    Duncan-Rawlinson-Photo-505271-Devils...jpg
  • https://Duncan.co/rain-over-evaporation-ponds
    Rain Over Evaporation Ponds
  • http://Duncan.co/chaos-at-the-white-house
    Chaos At The White House
  • http://Duncan.co/island-in-the-sky-road
    Island In The Sky Road
  • http://Duncan.co/grand-view-point-road
    Grand View Point Road
  • https://Duncan.co/skyline-arch
    Duncan-Rawlinson-Photo-602293-Arches...jpg
  • https://Duncan.co/dead-horse-point-sunset
    Duncan-Rawlinson-Photo-601021-Canyon...jpg
  • https://Duncan.co/fall-color-at-pulpit-rock-overlook
    Duncan-Rawlinson-Photo-320757-Black-...jpg
  • https://Duncan.co/green-river-overlook-2
    Green River Overlook 2
  • With Open Arms We Welcomed That Which Would Destroy Us (Short: With Open Arms) by: Christian Ristow from: Berlin, Germany year: 2018<br />
<br />
With Open Arms We Welcomed That Which Would Destroy Us is a robot deity. With one of her aspects she welcomes and seduces; with the other she voraciously devours. She promises everything you’ve been hoping for. All she needs in return is your humanity.
    Duncan-Rawlinson-Photo-517356-Burnin...jpg
  • With Open Arms We Welcomed That Which Would Destroy Us (Short: With Open Arms) by: Christian Ristow from: Berlin, Germany year: 2018<br />
<br />
With Open Arms We Welcomed That Which Would Destroy Us is a robot deity. With one of her aspects she welcomes and seduces; with the other she voraciously devours. She promises everything you’ve been hoping for. All she needs in return is your humanity.
    Duncan-Rawlinson-Photo-517330-Burnin...jpg
  • With Open Arms We Welcomed That Which Would Destroy Us (Short: With Open Arms) by: Christian Ristow from: Berlin, Germany year: 2018<br />
<br />
With Open Arms We Welcomed That Which Would Destroy Us is a robot deity. With one of her aspects she welcomes and seduces; with the other she voraciously devours. She promises everything you’ve been hoping for. All she needs in return is your humanity.
    Duncan-Rawlinson-Photo-517320-Burnin...jpg
  • One of Us
    0510-Duncan-Rawlinson-Photo-748548-B...jpg
  • http://Duncan.co/canada-us-border-1000-islands-aerial
    Canada US Border 1000 Islands Aerial
  • http://Duncan.co/fiber-optic-cable
    Fiber Optic Cable
  • http://Duncan.co/fiber-optic-cable
    Fiber Optic Cable
  • I swear Burners are the most badass humans. I was really struggling to get our camp network up and running properly. This was during the transition from the temporary participant network to the main participant netork and I was very lost. I had misconfigured it the setup in several ways and could not unfuck it myself. Low and behold a networking expert visiting our camp so I asked for help. The playa providses. Dan selflessly helped to get us up and running spending many hours with me hacking on configs etc. Here I am, a complete stranger to Dan and he spends a HUGE amount of time helping to get us online. This is the kind of playa gift that makes burning man so great. Burners selflessly helping other Burners without anything or even any expectation of anything in return. The network was immediately put to good use. The Instagrammers were able to start posting right away. Thank goodmess! Gotta keep the dopamine flowing. Seriously though, my campmates and neighbors updated logistics plans and corrdinated with people off playa for replacement parts and you know like more nachos n stuff. Medical phone calls and other family emergencies got sorted out as well with the network. But mostly it was just cat videos. Thank you for helping us Dan. You are an absolute legend!
    1039-Duncan-Rawlinson-Photo-737418-B...jpg
  • Love's Hug<br />
by: Anna Mok<br />
from: Palo Alto & San Francisco, CA<br />
year: 2019<br />
<br />
Love’s Hug rises from the desert as a protected space where one can be extrospective and introspective. It will invoke individual and collective reflections and thoughtful dialogue of the love, happiness and joy that humans create for ourselves and each other.<br />
<br />
Love’s Hug invites us to take a rest from the chaos, share an embrace, cuddle with others and be engulfed by human love and warmth in this safe place where we can (re)connect with our own hearts and those of others around us. These connections allow us to remember the limitless powers of the human heart and is a catalyst for transformations.<br />
<br />
URL: https://www.facebook.com/groups/306358213575925/<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=h#a2I0V000001AX9kUAG My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    024-Duncan-Rawlinson-Photo-583353-Bu...jpg
  • Desert Guard by: Lu Ming from: Beijing, China year: 2018<br />
<br />
Fenghaizhen’s design is inspired by the armor of Genghis Khan whose Mongolian empire ruled China during a part of the 14th century. The Mongolian army resisted their enemies’ aggression thanks to Genghis Khan’s military tactics, a strong system of weapons and their special armor. It had a very primitive but effective shock absorbing and impact diverting system. This art piece enlarges the armor to a height of 15 metres weighing 10 tons and embedded the soul of a Mongolian warrior. It wants to remind everyone, that we must never use artificial intelligence for war. Otherwise, humanity creates weapons that kill us. We hope that this warrior makes us realise that we shouldn’t only worship technology, but also put restrictions in place. Contact: beijingburners@gmail.com
    Duncan-Rawlinson-Photo-522901-Burnin...jpg
  • Parasolvent from: Anaheim, CA year: 2016<br />
<br />
“Parasolvent” is an interactive kinetic sculpture. A 23 foot tall rotating ring of parasols that open as they ascend and close as they fall.<br />
Parasols are protective devices created to shield us from the elements. Here they represent the emotionally protective devices we believe are protecting us, but are in fact hindering our progression. This is a meditative piece about letting them go. The parasols exit a human figure, blossom (open) as they rise, and decay (close) as they fall. Parasolvent was inspired by the artist’s first Burning Man in 2013 and chosen as an Honorarium piece for 2014. URL: http://facebook.com/derbykinetic Contact: dan@benedictaugust.com
    Duncan-Rawlinson-Photo-307388-Burnin...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    1009-Duncan-Rawlinson-Photo-737716-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    1010-Duncan-Rawlinson-Photo-737715-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    1011-Duncan-Rawlinson-Photo-737714-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    1008-Duncan-Rawlinson-Photo-737717-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0755-Duncan-Rawlinson-Photo-740605-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0753-Duncan-Rawlinson-Photo-740619-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0754-Duncan-Rawlinson-Photo-740614-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0566-Duncan-Rawlinson-Photo-747969-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0409-Duncan-Rawlinson-Photo-749302-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0394-Duncan-Rawlinson-Photo-749379-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0393-Duncan-Rawlinson-Photo-749380-B...jpg
  • Facing the Fearbeast by Tigre Mashaal-Lively & Make Love Visible<br />
<br />
‘Facing the Fearbeast’ is a project about facing the fears that hound us, both externally and internally. A snarling monster of claws and teeth and nightmares looms over a lone child, who faces the monster with dignified courage.<br />
The Beast itself represents both the actual dangers that threaten us from outside as well as the complex of traumas, self-deceits, & phobias that exists within and perpetuates the many miseries that humans deliver upon each other and themselves.<br />
<br />
The Child figures represent both the Wounded/traumatized child that is often at the core of many of humanity’s most destructive and violent behavior, as well as the Healing child that is both vulnerable and powerful in their creativity and capacity for love.<br />
<br />
URL: http://www.fearbeast.com<br />
Contact: info@fearbeast.com<br />
<br />
RIP Tigre Mashaal-Lively. My heart goes out to all friends, Burners, and Family of Tigre. I did not know Tigre and I was not sure if I should post these but I decided to post them for the community to honor the incredible work.
    0391-Duncan-Rawlinson-Photo-749404-B...jpg
  • Connections by: Oxana Belka from: Chicago, IL year: 2019<br />
<br />
We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions. As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us. At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds.
    Duncan-Rawlinson-Photo-586545-Burnin...jpg
  • Connections by: Oxana Belka from: Chicago, IL year: 2019<br />
<br />
We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions. As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us. At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds.
    Duncan-Rawlinson-Photo-586547-Burnin...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-521723-Burnin...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-521706-Burnin...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
    Duncan-Rawlinson-Photo-521666-Burnin...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018<br />
<br />
BEBOT is a cute, friendly, thirty-five foot tall steel robot that invites Burners to climb up into its interior and ‘BE My Eyes’, ‘BE My Ears’, ‘BE My Voice’, ‘BE My Beating Heart’. An endearing comic book robot built on a huge scale but undeniably cute, this installation is intended primarily for play but conceptually it explores aspects of robotics that should concern us. ‘Cuteness’ is already the dominant aesthetic of digital culture and features heavily in robot design. Cuteness triggers in us a desire to approach and engage with the cute object. Emotional engineering of robots lowers our barriers to privacy and clouds our perception of risk. BEBOT’s forked devil’s tail suggests that all may not be as innocent and harmless as it seems. Contact: andrea@hylemo.com
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  • Desert Guard Build by: Lu Ming from: Beijing, China year: 2018<br />
<br />
Fenghaizhen’s design is inspired by the armor of Genghis Khan whose Mongolian empire ruled China during a part of the 14th century. The Mongolian army resisted their enemies’ aggression thanks to Genghis Khan’s military tactics, a strong system of weapons and their special armor. It had a very primitive but effective shock absorbing and impact diverting system. This art piece enlarges the armor to a height of 15 metres weighing 10 tons and embedded the soul of a Mongolian warrior. It wants to remind everyone, that we must never use artificial intelligence for war. Otherwise, humanity creates weapons that kill us. We hope that this warrior makes us realise that we shouldn’t only worship technology, but also put restrictions in place. Contact: beijingburners@gmail.com
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  • Spacecats from: Chicago, IL year: 2016<br />
<br />
Cats and dogs are known to be one of humanity’s best companions. For animal guardians, pets play an important role in their lives. Studies have shown owning a pet helps anxiety, depression, stress, lowers blood pressure, and regulates heart rate. As is true with any relationship, some human-pet relationships are likely to be more rewarding than others. Some people are more attached to their pets than others and those feelings could influence the impact of the pet on the person’s health and life. The rocketship will have engraved writing dedicating this project to all those who has lost a pet and all the cats who have decided to leave us reminding them they are always with us. My hope is that when people discover this installation out in deep playa, they will be touched with this install reminding them of their lost loved ones and providing humor to all the cat lovers.
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  • Mutant Vehicle and Parasolvent by: Dan Benedict from: Anaheim, CA year: 2014<br />
<br />
Parasolvent is a mechanical expression of loss, release, healing and decay. Participants turn a crank to rotate a 20’ tall ring of red parasols. The collapsed parasols rise up through the chest cavity of a human figure and gradually open as they climb upwards, reaching full extension at the apex, and slowly closing as they descend.<br />
This piece is a meditation on the idea that engineering and architecture can create a space or object that acts a vessel for spiritual healing; imagining something we have held inside of us, be it sickness or pain, leaving us, rising, blossoming and decaying.<br />
<br />
Contact: dan@benedictaugust.com
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  • ReVitalize Toothbrush collective by: Scott London year: 2013<br />
<br />
We are “Revitalize.” Our goal is to bring the collective conciseness of Burning Man to the outside world. We looked at one of the BM Principles, "Leave No Trace" " and are using it to educate kids across the country on the importance of recycling plastic by recycling their TOOTHBRUSH.<br />
<br />
The Toothbrush is an everyday item that many of us forget is often made from plastic. We are asking schools to participate in collecting old used toothbrushes to help us build a communal art project.<br />
<br />
The toothbrush sculpture is a large globe, illustrating plastic is the plaque of the earth. It will look like a colorful large sphere, that once discovered upon the viewer will be shocked to realize it is made from toothbrushes.<br />
Lets use our collective power in putting plastic in its proper place through recycling.<br />
<br />
Contact: BMToothbrush@gmail.com
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  • eye of metamorphosis<br />
by: music vizards<br />
from: San Luis Obispo, CA<br />
year: 2019<br />
<br />
Metamorphosis is our projection on us self. We provide a unique experience at night with the Eye of Metamorphosis: A body-projection art installation creating an individual metamorphosis to be projected on the moving or dancing body. Butterflies, which morph into watchful eyes reminding us that wishful ideals come with the cost of exposition; or flowers, which burn away from the inside, or fire that freezes to ice. A mirror at the bottom of the eye lets participants experience their own metamorphosis.<br />
<br />
URL: http://musicvizards.io<br />
Contact: mixedrealitylabio@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXyEUAW
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  • Connections<br />
by: Oxana Belka<br />
from: Chicago, IL<br />
year: 2019<br />
<br />
We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions.<br />
<br />
As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us.<br />
<br />
At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds.<br />
<br />
Contact: oxanavfursenko@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TABCUA4
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  • INCENTER by Kate Greenberg<br />
<br />
Home is now a place of refuge and a space isolated from community. Yet from home, we’ve shared this time apart together. INCENTER unearths this global connection: inside the shape of a house, our earth is found and viewed from within.<br />
<br />
If it could be occupied, the center of our earth would be the only point in the universe where all humans would be in focus and equidistant from one another simultaneously.<br />
<br />
INCENTER immerses its explorers within a manifestation of this fantastical innerview, and interactively displays global data to communicate a vantage of global interconnectivity and individual impact with respect to panoptic crises. This unique perspective hopes to remind us each that we are not alone, and that Earth is the home we share.<br />
<br />
Contact: kate@skmaticdesigns.com
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  • THEM by Simón Malvaez + Brenden Darby<br />
<br />
THEM invites participants to enter it and identify with the art-making the sculpture into THEM. Through community interactions and the people around us can the sculpture be transformed into new faces. At night those new faces are then expressed upon the playa in shadows created from an internal light. To explore the different personalities of “THEM”, one must generate commitment as part of the change, and this participation can be done alone but it is much easier to do with the support of a community. The sculpture will act as a meeting point for observation, contemplation, and self-discovery.<br />
<br />
Contact: brenden@qmagiccreative.com
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  • Pauper's Ballroom by: Pedro Loughran from: Sebastopol, CA year: 2019<br />
<br />
A Pauper’s Ballroom is what our parents tell us when walking down to a beach, a clearing or any other beautiful place in nature. A palace free to all. A pauper’s ballroom. The piece is a grand staircase with no second floor, framed by four towers. The way to the ballroom is to climb the staircase, turn around and then descend. The ballroom is the playa but best appreciated through the descent of a staircase, giving you the trappings of grandeur, while being merely pretense to the actual beauty of the free, natural space of the playa. “Nothing” is the absence of substance. It is the void, the infinite unknown. In this way, the “Stairway to Nothing” is the “Stairway to the Void.” Or it’s just the “Stairway to the Playa’s Second Floor.” URL: http://paupersballroom.org Contact: david.nelsongal@gmail.com
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  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
    Duncan-Rawlinson-Photo-528202-Burnin...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
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  • The Temple of Awareness by: Utah Builders Community from: Salt Lake City, UT year: 2017<br />
<br />
Temples offer environments for us to immerse ourselves into an unworldly place of harmony and peace. The Temple of Awareness is an organic form, similar to a pine cone. Seen from above, it evokes aspects of a bloomed lotus. The Temple is a 13-sided dome structure that is 35 ft. in diameter at the base. It has seven levels that reach 35 ft. high, each level with projecting decorative wings encircling it. From a distance, the wings create a feeling of lightness, while the dome as a whole conveys a rooted presence. Participants enter the Temple through one of thirteen sizable inverted “V” openings. Inside is a welcoming, vaulted, airy interior defined by a series of shrinking, concentric circles soaring overhead. The dome top is left uncovered to allow for the participant’s connection with the cosmos. The open interior design incorporates hundreds of shelves lining every wall, as well as several freestanding sub-altars that provide many niches and ledges for objects of remembrance. URL: http://www.utahbuilderscommunity.com Contact: utahbuilderscommunity@gmail.com
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  • The Temple of Awareness by: Utah Builders Community from: Salt Lake City, UT year: 2017<br />
<br />
Temples offer environments for us to immerse ourselves into an unworldly place of harmony and peace. The Temple of Awareness is an organic form, similar to a pine cone. Seen from above, it evokes aspects of a bloomed lotus. The Temple is a 13-sided dome structure that is 35 ft. in diameter at the base. It has seven levels that reach 35 ft. high, each level with projecting decorative wings encircling it. From a distance, the wings create a feeling of lightness, while the dome as a whole conveys a rooted presence. Participants enter the Temple through one of thirteen sizable inverted “V” openings. Inside is a welcoming, vaulted, airy interior defined by a series of shrinking, concentric circles soaring overhead. The dome top is left uncovered to allow for the participant’s connection with the cosmos. The open interior design incorporates hundreds of shelves lining every wall, as well as several freestanding sub-altars that provide many niches and ledges for objects of remembrance. URL: http://www.utahbuilderscommunity.com Contact: utahbuilderscommunity@gmail.com
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  • Burner Climbing The Catacomb of Veils from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world.<br />
<br />
A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
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  • Le Attrata from: Oakland, CA year: 2016<br />
<br />
After the Events of 2175, the perfect storm of industrial pollution, population explosion and the destruction of biodiversity raged. It was only a renewal of the vows between science and nature that saved us. The amount of horrendous wastes we had piled up over a millenia- much of it toxic and flammable- was daunting. The Fuocco Falene are a crux of biomech, artistry and divine intervention. Fire moths- drawn to the most noxious of wastes, able to consume the wastes and leave a benign byproduct. Their consumption of fuels is spectacular, so much so that Falena became sought after for their beauty. It has become fashionable to convert outdated civic fixtures, like fountains, to be attractions to the Fuocco Falena. Le Attrata is a prime example of such an installation, its jagged spires providing perches for the Falena, the curved benches housing seating for people, and the Falena chrysalises lighting the way throughout the night. URL: http://therm.cc/le-attrata/ Contact: info@therm-fire.com
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  • Catacomb of Veils Build from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world. A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all. Contact: fox.dan@gmail.com
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  • Truth is Beauty is the second sculpture in a three-part series featuring singer/dancer Deja Solis, the first of which was Bliss Dance (2010). For Truth is Beauty, Deja stands on her toes, head back, arms raised, in an expression of radical self-acceptance and love. She can do this because she is safe. With the female body exposed and demystified you will see past what has been objectified and used to disempower: it’s the feeling, energy, strength, power… the person that remains. These sculptures featuring women safe in the present to express themselves, are meant to help raise consciousness around violence against women, begin a healing process to make room for women’s voices, and ultimately result in a balance of energy that will allow women and men to thrive… My intent is that these sculptures express this healing energy and inspire us to take action; to finally say enough is enough!
    Duncan-Rawlinson-Photo-38445-Burning...jpg
  • Truth is Beauty is the second sculpture in a three-part series featuring singer/dancer Deja Solis, the first of which was Bliss Dance (2010). For Truth is Beauty, Deja stands on her toes, head back, arms raised, in an expression of radical self-acceptance and love. She can do this because she is safe. With the female body exposed and demystified you will see past what has been objectified and used to disempower: it’s the feeling, energy, strength, power… the person that remains. These sculptures featuring women safe in the present to express themselves, are meant to help raise consciousness around violence against women, begin a healing process to make room for women’s voices, and ultimately result in a balance of energy that will allow women and men to thrive… My intent is that these sculptures express this healing energy and inspire us to take action; to finally say enough is enough!
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  • Daft Punk Bus Stop Poster at The Intersection X<br />
by: Invisible Pink Unicorns<br />
from: Moscow, Russia<br />
year: 2019<br />
<br />
Nothing stays the same. We are changing all the time and the world around us is changing as well. In the place of last year intersection the new one appeared. It is the same, but absolutely different. Metamorphose took its toll.<br />
<br />
URL: https://www.facebook.com/theintersectionart<br />
Contact: kirill.v.ivanov@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVyvUAG
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  • Shewolf<br />
by: Chris Mack<br />
from: Monterey, CA<br />
year: 2019<br />
<br />
The Shewolf is nature, constantly giving and directing our growth for thousands of years. Only recently has man conquered nature by what we think is a smart and clever manipulation for our benefit. “What nature can do, man can do better.”<br />
<br />
Or can we? Has man depleted our mother or is she still willing to nurture us? Come out and drink from the elixir from nature’s breasts. Lay in her shadow, protected from harm.<br />
<br />
Shewolf now has a partner wolf. Can he keep up? Can we keep up?<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001T9rfUAC
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  • The Intersection X<br />
by: Invisible Pink Unicorns<br />
from: Moscow, Russia<br />
year: 2019<br />
<br />
Nothing stays the same. We are changing all the time and the world around us is changing as well. In the place of last year intersection the new one appeared. It is the same, but absolutely different. Metamorphose took its toll.<br />
<br />
URL: https://www.facebook.com/theintersectionart<br />
Contact: kirill.v.ivanov@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVyvUAG
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  • LOVE<br />
by: Laura Kimpton with Jeff Schomberg<br />
from: Venice, CA and Reno, NV<br />
year: 2019<br />
<br />
Rainbow LOVE is celebration of love — reminding us that everyone should have the right to love who they love, and to love themselves.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAJuUAO My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    082-Duncan-Rawlinson-Photo-583640-Bu...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com
    1098-Duncan-Rawlinson-Photo-528262-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0691-Duncan-Rawlinson-Photo-524356-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0358-Duncan-Rawlinson-Photo-519201-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0356-Duncan-Rawlinson-Photo-519180-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0265-Duncan-Rawlinson-Photo-517971-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0144-Duncan-Rawlinson-Photo-516779-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0143-Duncan-Rawlinson-Photo-516773-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0045-Duncan-Rawlinson-Photo-516014-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0043-Duncan-Rawlinson-Photo-516010-B...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
<br />
URL: https://mamou-mani.com My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0042-Duncan-Rawlinson-Photo-516009-B...jpg
  • Consumption (build) by Tom Boughner and the Desert Propaganda Collective<br />
<br />
Consumption is a 45′ tall sculpture in the shape of a dollar sign ($) assembled from discarded household appliances (washers, dryers, fridges, stoves, etc). Ninety appliances are layered and stacked to create the “S” of the dollar sign.<br />
<br />
Consumption brings our focus to the end of the era of consumerism and overconsumption. Our current trajectory is no longer sustainable and we must change. Reflect upon the mountain of waste to guide our beliefs, ideas and spirits to a more rational use of earth’s limited resources.<br />
<br />
We all play a part in the chain of excess that starts with raw materials and ends in landfills and oceans. Many factors tie us to our throw-away society. We are driven to<br />
overconsumption.<br />
<br />
URL: http://www.Consumption2022.com<br />
Contact: info@consumption2022.com
    1102-Duncan-Rawlinson-Photo-736879-B...jpg
  • Council of Animals (build) by Quill Hyde<br />
<br />
The Council of Animals (What to do about the monkeys) is a piece exploring our relationship with our Animal family, and how the animals feel about us. Elephant, Polar Bear, and Rhino are the judges, and Coyote the intermediary, their iconic geometry rendered in faceted steel.<br />
<br />
URL: http://www.quillhyde.com<br />
Contact: quillhyde@gmail.com
    0985-Duncan-Rawlinson-Photo-738054-B...jpg
  • Drishti by Kirsten Berg<br />
<br />
Inspired by a Sanskrit philosophical phrase, “Drishti, Srishti”, meaning: “As is your vision, so is your universe” or, “How you behold, is what you unfold”. Drishti is a sculptural expression, and reflective symbol, of finding ourselves at a critical point in history, in which we are called upon to focus and engage our collective gaze into a more elevated vision, as co-creators and collaborators of our individual and shared realities.<br />
<br />
Shimmering in mirrored steel, Drishti’s elegantly arcing angles sweep our gaze upward. Here, our individual reflections in each ‘facet’ of the multitude of lens-like convex mirror are framed with everyone else’ into a mosaic portrait of shared reflection, pointing us to the stars, literally and symbolically<br />
<br />
Contact: kberginfo@gmail.com
    0933-Duncan-Rawlinson-Photo-738868-B...jpg
  • THEM by Simón Malvaez and Brenden Darby<br />
<br />
THEM invites participants to enter it and identify with the art-making the sculpture into THEM. Through community interactions and the people around us can the sculpture be transformed into new faces. At night those new faces are then expressed upon the playa in shadows created from an internal light. To explore the different personalities of “THEM”, one must generate commitment as part of the change, and this participation can be done alone but it is much easier to do with the support of a community. The sculpture will act as a meeting point for observation, contemplation, and self-discovery.<br />
<br />
Contact: brenden@qmagiccreative.com
    0928-Duncan-Rawlinson-Photo-738904-B...jpg
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