Duncan Rawlinson

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  • https://Duncan.co/two-roads-cut-through-stone
    Duncan-Rawlinson-Photo-717327-Aerial...jpg
  • https://Duncan.co/river-cutting-through-stone
    Duncan-Rawlinson-Photo-600567-Canyon...jpg
  • https://Duncan.co/juniper-growing-through-stone
    Juniper Growing Through Stone
  • http://Duncan.co/empty-billboard-through-windshield
    Empty Billboard Through Windshield
  • https://Duncan.co/engineer-guiding-locomotive-through-intersection
    Duncan-Rawlinson-Photo-661964-Fall-2...jpg
  • https://Duncan.co/green-path-through-pond
    Green Path Through Pond
  • http://Duncan.co/sun-beaming-through-mountain
    Sun Beaming Through Mountain
  • https://Duncan.co/destroyed-wrought-iron-trestle-bridge
    Destroyed Wrought Iron Trestle Bridge
  • http://Duncan.co/sunset-storm
    Sunset Storm
  • We can get through this together.
    Duncan-Rawlinson-Photo-594481-Burnin...jpg
  • Cruising through the dust
    Duncan-Rawlinson-Photo-16494-Burning...jpg
  • http://Duncan.co/beams-of-light-through-morning-fog
    Beams Of Light Through Morning Fog
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    668-Duncan-Rawlinson-Photo-592317-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    662-Duncan-Rawlinson-Photo-592285-Bu...jpg
  • Come-Million! by: Amit Weissenstern from: Tel-Aviv, IS year: 2018 Come-Million is a giant colorful chameleon that shines up beautifully when playing interactively with her friends! Come-Million’s skin is made of hundreds of tiles carrying thousands little lights. Their colors change in reaction to the participants’ behavior inside, sensed through its pumping heart. A playful collaboration is demonstrated through the interaction between the people inside the chameleon, and passerby. Inside the chameleon there will be an interactive game that the visitors and the chameleon will participate in using a set of handles of different colors. Citizens of Black Rock City will sense and understand Come-Million’s through its signals and listen to her heart – to help her shine with millions of colors. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0493-Duncan-Rawlinson-Photo-521173-B...jpg
  • The Man’s Army Burn by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-592293-Burnin...jpg
  • The Man’s Army Burn by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-592279-Burnin...jpg
  • The Man’s Army Burn by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-592263-Burnin...jpg
  • Come-Million! by: Amit Weissenstern from: Tel-Aviv, IS year: 2018 Come-Million is a giant colorful chameleon that shines up beautifully when playing interactively with her friends! Come-Million’s skin is made of hundreds of tiles carrying thousands little lights. Their colors change in reaction to the participants’ behavior inside, sensed through its pumping heart. A playful collaboration is demonstrated through the interaction between the people inside the chameleon, and passerby. Inside the chameleon there will be an interactive game that the visitors and the chameleon will participate in using a set of handles of different colors. Citizens of Black Rock City will sense and understand Come-Million’s through its signals and listen to her heart – to help her shine with millions of colors.
    Duncan-Rawlinson-Photo-525739-Burnin...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    666-Duncan-Rawlinson-Photo-592298-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    667-Duncan-Rawlinson-Photo-592313-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    663-Duncan-Rawlinson-Photo-592278-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    665-Duncan-Rawlinson-Photo-592283-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    664-Duncan-Rawlinson-Photo-592287-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    660-Duncan-Rawlinson-Photo-592271-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    658-Duncan-Rawlinson-Photo-592261-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    656-Duncan-Rawlinson-Photo-592230-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    657-Duncan-Rawlinson-Photo-592258-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    585-Duncan-Rawlinson-Photo-590519-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    536-Duncan-Rawlinson-Photo-589939-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    240-Duncan-Rawlinson-Photo-584555-Bu...jpg
  • Some of The Man's Army Build Crew<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    239-Duncan-Rawlinson-Photo-584538-Bu...jpg
  • The Man's Army Build<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    238-Duncan-Rawlinson-Photo-584520-Bu...jpg
  • Come-Million! by: Amit Weissenstern from: Tel-Aviv, IS year: 2018 Come-Million is a giant colorful chameleon that shines up beautifully when playing interactively with her friends! Come-Million’s skin is made of hundreds of tiles carrying thousands little lights. Their colors change in reaction to the participants’ behavior inside, sensed through its pumping heart. A playful collaboration is demonstrated through the interaction between the people inside the chameleon, and passerby. Inside the chameleon there will be an interactive game that the visitors and the chameleon will participate in using a set of handles of different colors. Citizens of Black Rock City will sense and understand Come-Million’s through its signals and listen to her heart – to help her shine with millions of colors.
    1022-Duncan-Rawlinson-Photo-526488-B...jpg
  • Come-Million! by: Amit Weissenstern from: Tel-Aviv, IS year: 2018 Come-Million is a giant colorful chameleon that shines up beautifully when playing interactively with her friends! Come-Million’s skin is made of hundreds of tiles carrying thousands little lights. Their colors change in reaction to the participants’ behavior inside, sensed through its pumping heart. A playful collaboration is demonstrated through the interaction between the people inside the chameleon, and passerby. Inside the chameleon there will be an interactive game that the visitors and the chameleon will participate in using a set of handles of different colors. Citizens of Black Rock City will sense and understand Come-Million’s through its signals and listen to her heart – to help her shine with millions of colors. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0348-Duncan-Rawlinson-Photo-519075-B...jpg
  • The Man’s Army Burn by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-592307-Burnin...jpg
  • The Man’s Army Burn by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-592265-Burnin...jpg
  • The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-592127-Burnin...jpg
  • The Man’s Army by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019 The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-589935-Burnin...jpg
  • The Man's Army Build by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates from: Los Angeles, CA year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence. URL: http://themansarmy.com Contact: themansarmy@gmail.com
    Duncan-Rawlinson-Photo-584527-Burnin...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    659-Duncan-Rawlinson-Photo-593471-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    661-Duncan-Rawlinson-Photo-592274-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    653-Duncan-Rawlinson-Photo-592140-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    537-Duncan-Rawlinson-Photo-589940-Bu...jpg
  • The Man's Army<br />
by: Michael Ciulla & The Rave Knights (Alexandra Friedman, Nick Harris, John Jones) with support from Sin Cohen, Steven Platt, Lizzy Layne, Ryan Geist Bozajian & Ciulla Associates<br />
from: Los Angeles, CA<br />
year: 2019<br />
<br />
The Man’s Army is 100 androgynous life-sized human figures standing in a 10×10 grid. Each figure has skin of white wax and a unique 3D printed face created by a point-cloud scan of real people. At night an internal LED creates a glow emanating from within. The body and face create a blank canvas for expression. Throughout the week the figures are customized, culminating in a transformative burn. The piece is a visual metaphor contemplating conformity through shared non-conformity. People, from a distance may appear homogeneous but once among them you see their individuality. Through shared experience burners are altered and stretched by the thoughts and intentions of one another and then transformed through an expression of impermanence.<br />
<br />
URL: http://themansarmy.com<br />
Contact: themansarmy@gmail.com
    535-Duncan-Rawlinson-Photo-589927-Bu...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259770-Burnin...jpg
  • Sysimetsä by: LaynaJoy Rivas & Eva Reiska with The Landing Ravens Art Collective from: Ravens Landing, Clearlake Oaks, CA year: 2017<br />
<br />
Beauty lies within the Burnt Forest. Sysimetsä is a memorial for the fires that destroyed Lake County, as well as a beloved art space by the name of Ravens Landing back in 2015. Participants walk through a burnt forest with trees that stand erected from the playa with huge ravens perched upon their branches. Pieces of burnt metal and scraps are hand crafted instruments of sound, bringing the forest back to life through interactivity. The sound sensitive lighting will dance to the beat of our hearts. This place is a temple for the old and new, a sacred piece of nature that is awoken to hold space to give thanks to what’s been given and what’s been taken. In the belief that change is the only constant grace given to Humankind, to embrace it in all ways is the only way to brighten our evolution. The philosophy of Sysimetsä is to Experience, Let Go, Accept, Be Thankful, and Recreate the world you want to live in.
    Duncan-Rawlinson-Photo-445010-Burnin...jpg
  • Sysimetsä by: LaynaJoy Rivas & Eva Reiska with The Landing Ravens Art Collective from: Ravens Landing, Clearlake Oaks, CA year: 2017<br />
<br />
Beauty lies within the Burnt Forest. Sysimetsä is a memorial for the fires that destroyed Lake County, as well as a beloved art space by the name of Ravens Landing back in 2015. Participants walk through a burnt forest with trees that stand erected from the playa with huge ravens perched upon their branches. Pieces of burnt metal and scraps are hand crafted instruments of sound, bringing the forest back to life through interactivity. The sound sensitive lighting will dance to the beat of our hearts. This place is a temple for the old and new, a sacred piece of nature that is awoken to hold space to give thanks to what’s been given and what’s been taken. In the belief that change is the only constant grace given to Humankind, to embrace it in all ways is the only way to brighten our evolution. The philosophy of Sysimetsä is to Experience, Let Go, Accept, Be Thankful, and Recreate the world you want to live in.
    Duncan-Rawlinson-Photo-444031-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259752-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259741-Burnin...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG
    490-Duncan-Rawlinson-Photo-589030-Bu...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG
    491-Duncan-Rawlinson-Photo-589035-Bu...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG
    488-Duncan-Rawlinson-Photo-589022-Bu...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&aq=Transmutation#a2I0V000001AVujUAG
    489-Duncan-Rawlinson-Photo-589027-Bu...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVujUAG
    411-Duncan-Rawlinson-Photo-587182-Bu...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVujUAG
    410-Duncan-Rawlinson-Photo-587169-Bu...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVujUAG My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    170-Duncan-Rawlinson-Photo-584367-Bu...jpg
  • Mazu Goddess of the Empty Sea from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea floor
    Duncan-Rawlinson-Photo-262753-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259815-Burnin...jpg
  • Transmutation<br />
by: Arturo Gonzalez<br />
from: Saltillo, Coahuila Mexico<br />
year: 2019<br />
<br />
Is extinction forever? This work seeks to generate a reflection on the increasingly possible cloning of extinct species. Since the origin of life, evolution has never returned to a vanished species. However, human science is about to break this rule. Is it ethical and moral to play gods? Through scientific reproductions of a neanderthal and a saber-toothed tiger that emerge from the earth (extinction) to cross a DNA helix and reach our present with a paleo-reconstruction where the visitor can interact and then go through a series of circles that forms the geometry of life arrive at a mythical alebrije that represents the transmutation of our matter.<br />
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https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVujUAG My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
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  • Cloud Swing by: Lindsay Glatz with Curious Form from: New Orleans, LA year: 2019 Cloud Swing consists of swings suspended from a glowing cloud. Through utilizing a ubiquitous symbol of childhood, the work remains accessible and unassuming. The swing itself generates feelings of nostalgia and simplicity. While the swings remain unoccupied, the cloud above emanates a steady white glow of light, appearing to float within the darkness. The light shines downward highlighting the empty swing in an invitation for passersby to enjoy its delights. Once the swing is occupied the transformation and color begins to glow. Cloud Swing explores the transformative possibilities of imagination and innovation. Showcasing that no matter what pulls you back wonder, delight, and joy will inevitably push you forward. URL: http://www.miraclewonderlandcarnival.co/ Contact: miraclewonderlandcarnivalco@gmail.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVylUAG
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  • Pauper's Ballroom by: Pedro Loughran from: Sebastopol, CA year: 2019<br />
<br />
A Pauper’s Ballroom is what our parents tell us when walking down to a beach, a clearing or any other beautiful place in nature. A palace free to all. A pauper’s ballroom. The piece is a grand staircase with no second floor, framed by four towers. The way to the ballroom is to climb the staircase, turn around and then descend. The ballroom is the playa but best appreciated through the descent of a staircase, giving you the trappings of grandeur, while being merely pretense to the actual beauty of the free, natural space of the playa. “Nothing” is the absence of substance. It is the void, the infinite unknown. In this way, the “Stairway to Nothing” is the “Stairway to the Void.” Or it’s just the “Stairway to the Playa’s Second Floor.” URL: http://paupersballroom.org Contact: david.nelsongal@gmail.com
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  • Pauper's Ballroom by: Pedro Loughran from: Sebastopol, CA year: 2019<br />
<br />
A Pauper’s Ballroom is what our parents tell us when walking down to a beach, a clearing or any other beautiful place in nature. A palace free to all. A pauper’s ballroom. The piece is a grand staircase with no second floor, framed by four towers. The way to the ballroom is to climb the staircase, turn around and then descend. The ballroom is the playa but best appreciated through the descent of a staircase, giving you the trappings of grandeur, while being merely pretense to the actual beauty of the free, natural space of the playa. “Nothing” is the absence of substance. It is the void, the infinite unknown. In this way, the “Stairway to Nothing” is the “Stairway to the Void.” Or it’s just the “Stairway to the Playa’s Second Floor.” URL: http://paupersballroom.org Contact: david.nelsongal@gmail.com
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  • Mariposita by: Chris Carnabuci from: Cold Spring, NY year: 2019<br />
<br />
Mariposita, meaning “little butterfly”, represents rebirth – of coming out of a shell, escaping confinement, and breaking through to a more meaningful and enlightening existence or experience. The act of emerging, however, is usually not so simple, and the complexity experienced both within the individual viewer and expressed externally as a communal experience, will become the atmosphere surrounding this piece. A rebirth requires power, curiosity, determination, and support, all characteristics that lead to revival and restoration. Mariposita is meant to inspire awakenings and reawakenings, growth and regrowth, beginnings and ends.<br />
<br />
Contact: chriscarnabuci@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW0NUAW
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  • Mariposita by: Chris Carnabuci from: Cold Spring, NY year: 2019 Mariposita, meaning “little butterfly”, represents rebirth – of coming out of a shell, escaping confinement, and breaking through to a more meaningful and enlightening existence or experience. The act of emerging, however, is usually not so simple, and the complexity experienced both within the individual viewer and expressed externally as a communal experience, will become the atmosphere surrounding this piece. A rebirth requires power, curiosity, determination, and support, all characteristics that lead to revival and restoration. Mariposita is meant to inspire awakenings and reawakenings, growth and regrowth, beginnings and ends. Contact: chriscarnabuci@gmail.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW0NUAW
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  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
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  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
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  • Galaxia Burn by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
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  • Galaxia burn by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
    Duncan-Rawlinson-Photo-527576-Burnin...jpg
  • Galaxia burn by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
    Duncan-Rawlinson-Photo-527639-Burnin...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
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  • Baba Yaga’s House by: Jessi Sprocket Janusee and Baba Yaga’s Book Club from: Reno, NV year: 2018<br />
The house of Baba Yaga will rise from the playa straddling it’s mechanical chicken legs. The crone’s house will be poised to run at the slightest provocation. Ascend her staircases to test the old witch if you dare. Are you able to walk through the veil of mortality into the space where the seer dwells? If you are strong of will, feeling bold and willing to show vulnerability she may allow you to venture within her sanctum.<br />
URL: http://jessisprocket.com/baba-yaga/
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  • Plantoid Garden: A Blockchain-based Life-form, Featuring the Photo-synthesizer by: Primavera De Filippi & Okhaos Creations from: Paris, France year: 2018<br />
<br />
A Plantoid is the plant equivalent of an android: a robot or synthetic organism designed to look, act and grow like a plant. Its Body is an interactive mechanical sculpture activated by environmental factors and human attention. Its Soul is a blockchain-based software governing its reproduction. Wandering through the playa, you may stumble on the Plantoid Garden, in the middle of which are three giant 10 to 20 foot tall mechanical plants made of welded scrap metal, with a strong but elegant steampunk flavor. Their stems are made of large, industrial chain; their leaves are made of photovoltaic panels and their flowers of forged metal. Half plant, half-android, they come to life when triggered with sunlight, wind and human attention. URL: http://plantoid.org Contact: hello@plantoid.org
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  • Limo and CROWN by: Charles Gadeken from: San Francisco, CA year: 2018<br />
<br />
CROWN creates a space for shared experience with its gigantic scale, riotous light show, and impressive kinetic motion. My mission with this piece is mass hypnosis, wonder, and delight. It will be terrifyingly awesome! Four prismatic towers 30ft tall stand in a circle and bend and sway inwards and outwards in a hypnotic dance. Meanwhile, colors dance and swirl around the sculpture, within and amongst the towers on high density LED arrays. Participants can control the movement and lighting through an interactive interface. URL: http://www.charlesgadeken.com/crown Contact: info@charlesgadeken.com
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  • Step Forward by: Miguel Angel Martin Bordera from: Carros de Foc, San Vicente del Raspeig, Alicante, Spain year: 2017<br />
<br />
Step Forward transmits the principles of consciousness and neighborly love, increased through Art. Euterpe is a giant teenage girl puppet who walks and talks, interacting with Burning Man’s participants to learn from them and to, tenderly, teach them her values. A young girl dreams of a better world in which everybody loves each other. One day she wakes up in an unknown place where she doesn’t really know if she is awake or in a wonderful dream. She watches in amusement all that takes place around her at the time she gets involved in Burning Man’s experience. Contact: info@carrosfoc.com
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  • The Temple of Awareness by: Utah Builders Community from: Salt Lake City, UT year: 2017<br />
<br />
Temples offer environments for us to immerse ourselves into an unworldly place of harmony and peace. The Temple of Awareness is an organic form, similar to a pine cone. Seen from above, it evokes aspects of a bloomed lotus. The Temple is a 13-sided dome structure that is 35 ft. in diameter at the base. It has seven levels that reach 35 ft. high, each level with projecting decorative wings encircling it. From a distance, the wings create a feeling of lightness, while the dome as a whole conveys a rooted presence. Participants enter the Temple through one of thirteen sizable inverted “V” openings. Inside is a welcoming, vaulted, airy interior defined by a series of shrinking, concentric circles soaring overhead. The dome top is left uncovered to allow for the participant’s connection with the cosmos. The open interior design incorporates hundreds of shelves lining every wall, as well as several freestanding sub-altars that provide many niches and ledges for objects of remembrance. URL: http://www.utahbuilderscommunity.com Contact: utahbuilderscommunity@gmail.com
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  • Tree of Ténéré by: Alexander Green, Zachary Smith, and Patrick Deegan from: San Francisco, CA year: 2017<br />
<br />
An enormous lifelike tree, Ténéré offers shade to wanderers, adventure to climbers, and transcendent community to those gathered beneath its 15,000 LED leaves. Like its namesake – considered the most isolated tree on Earth until its destruction in 1973 – Ténéré serves as a place of refuge and ritual for desert wanderers. Standing more than three stories tall, it beckons to passersby with the promise of shade and adventure, conjuring spontaneous communities out of desert sand and sun. At night, LEDs hidden within each leaf begin to glow. The 15,000 leaves form a dome-shaped “canvas of light” that towers over the playa, spanning more than a thousand square feet. Participants lying under the tree experience sublime light shows set to ambient music or live performance. And they directly influence the canopy lights through their sounds and biorhythms, creating moments of transcendent oneness with each other and with nature. URL: https://www.treeoftenere.com Contact: contact.tenere@gmail.com
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  • Step Forward by: Miguel Angel Martin Bordera from: Carros de Foc, San Vicente del Raspeig, Alicante, Spain year: 2017<br />
<br />
Step Forward transmits the principles of consciousness and neighborly love, increased through Art. Euterpe is a giant teenage girl puppet who walks and talks, interacting with Burning Man’s participants to learn from them and to, tenderly, teach them her values. A young girl dreams of a better world in which everybody loves each other. One day she wakes up in an unknown place where she doesn’t really know if she is awake or in a wonderful dream. She watches in amusement all that takes place around her at the time she gets involved in Burning Man’s experience. Contact: info@carrosfoc.com
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  • Step Forward by: Miguel Angel Martin Bordera from: Carros de Foc, San Vicente del Raspeig, Alicante, Spain year: 2017<br />
<br />
Step Forward transmits the principles of consciousness and neighborly love, increased through Art. Euterpe is a giant teenage girl puppet who walks and talks, interacting with Burning Man’s participants to learn from them and to, tenderly, teach them her values. A young girl dreams of a better world in which everybody loves each other. One day she wakes up in an unknown place where she doesn’t really know if she is awake or in a wonderful dream. She watches in amusement all that takes place around her at the time she gets involved in Burning Man’s experience. Contact: info@carrosfoc.com
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  • Tree of Ténéré by: Alexander Green, Zachary Smith, and Patrick Deegan from: San Francisco, CA year: 2017<br />
<br />
An enormous lifelike tree, Ténéré offers shade to wanderers, adventure to climbers, and transcendent community to those gathered beneath its 15,000 LED leaves. Like its namesake – considered the most isolated tree on Earth until its destruction in 1973 – Ténéré serves as a place of refuge and ritual for desert wanderers. Standing more than three stories tall, it beckons to passersby with the promise of shade and adventure, conjuring spontaneous communities out of desert sand and sun. At night, LEDs hidden within each leaf begin to glow. The 15,000 leaves form a dome-shaped “canvas of light” that towers over the playa, spanning more than a thousand square feet. Participants lying under the tree experience sublime light shows set to ambient music or live performance. And they directly influence the canopy lights through their sounds and biorhythms, creating moments of transcendent oneness with each other and with nature. URL: https://www.treeoftenere.com Contact: contact.tenere@gmail.com
    Duncan-Rawlinson-Photo-445738-Burnin...jpg
  • Step Forward by: Miguel Angel Martin Bordera from: Carros de Foc, San Vicente del Raspeig, Alicante, Spain year: 2017<br />
<br />
Step Forward transmits the principles of consciousness and neighborly love, increased through Art. Euterpe is a giant teenage girl puppet who walks and talks, interacting with Burning Man’s participants to learn from them and to, tenderly, teach them her values. A young girl dreams of a better world in which everybody loves each other. One day she wakes up in an unknown place where she doesn’t really know if she is awake or in a wonderful dream. She watches in amusement all that takes place around her at the time she gets involved in Burning Man’s experience. Contact: info@carrosfoc.com
    Duncan-Rawlinson-Photo-445282-Burnin...jpg
  • The Temple of Awareness by: Utah Builders Community from: Salt Lake City, UT year: 2017<br />
<br />
Temples offer environments for us to immerse ourselves into an unworldly place of harmony and peace. The Temple of Awareness is an organic form, similar to a pine cone. Seen from above, it evokes aspects of a bloomed lotus. The Temple is a 13-sided dome structure that is 35 ft. in diameter at the base. It has seven levels that reach 35 ft. high, each level with projecting decorative wings encircling it. From a distance, the wings create a feeling of lightness, while the dome as a whole conveys a rooted presence. Participants enter the Temple through one of thirteen sizable inverted “V” openings. Inside is a welcoming, vaulted, airy interior defined by a series of shrinking, concentric circles soaring overhead. The dome top is left uncovered to allow for the participant’s connection with the cosmos. The open interior design incorporates hundreds of shelves lining every wall, as well as several freestanding sub-altars that provide many niches and ledges for objects of remembrance. URL: http://www.utahbuilderscommunity.com Contact: utahbuilderscommunity@gmail.com
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  • The Tree of Ténéré builders pause for a brief moment to watch the sunrise. The Tree of Ténéré by: Alexander Green, Zachary Smith, and Patrick Deegan from: San Francisco, CA year: 2017<br />
<br />
An enormous lifelike tree, Ténéré offers shade to wanderers, adventure to climbers, and transcendent community to those gathered beneath its 15,000 LED leaves. Like its namesake – considered the most isolated tree on Earth until its destruction in 1973 – Ténéré serves as a place of refuge and ritual for desert wanderers. Standing more than three stories tall, it beckons to passersby with the promise of shade and adventure, conjuring spontaneous communities out of desert sand and sun. At night, LEDs hidden within each leaf begin to glow. The 15,000 leaves form a dome-shaped “canvas of light” that towers over the playa, spanning more than a thousand square feet. Participants lying under the tree experience sublime light shows set to ambient music or live performance. And they directly influence the canopy lights through their sounds and biorhythms, creating moments of transcendent oneness with each other and with nature. URL: https://www.treeoftenere.com Contact: contact.tenere@gmail.com
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  • Tree of Ténéré Build by: Alexander Green, Zachary Smith, and Patrick Deegan from: San Francisco, CA year: 2017<br />
<br />
An enormous lifelike tree, Ténéré offers shade to wanderers, adventure to climbers, and transcendent community to those gathered beneath its 15,000 LED leaves. Like its namesake – considered the most isolated tree on Earth until its destruction in 1973 – Ténéré serves as a place of refuge and ritual for desert wanderers. Standing more than three stories tall, it beckons to passersby with the promise of shade and adventure, conjuring spontaneous communities out of desert sand and sun. At night, LEDs hidden within each leaf begin to glow. The 15,000 leaves form a dome-shaped “canvas of light” that towers over the playa, spanning more than a thousand square feet. Participants lying under the tree experience sublime light shows set to ambient music or live performance. And they directly influence the canopy lights through their sounds and biorhythms, creating moments of transcendent oneness with each other and with nature. URL: https://www.treeoftenere.com Contact: contact.tenere@gmail.com
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  • Tree of Ténéré Build by: Alexander Green, Zachary Smith, and Patrick Deegan from: San Francisco, CA year: 2017<br />
<br />
An enormous lifelike tree, Ténéré offers shade to wanderers, adventure to climbers, and transcendent community to those gathered beneath its 15,000 LED leaves. Like its namesake – considered the most isolated tree on Earth until its destruction in 1973 – Ténéré serves as a place of refuge and ritual for desert wanderers. Standing more than three stories tall, it beckons to passersby with the promise of shade and adventure, conjuring spontaneous communities out of desert sand and sun. At night, LEDs hidden within each leaf begin to glow. The 15,000 leaves form a dome-shaped “canvas of light” that towers over the playa, spanning more than a thousand square feet. Participants lying under the tree experience sublime light shows set to ambient music or live performance. And they directly influence the canopy lights through their sounds and biorhythms, creating moments of transcendent oneness with each other and with nature. URL: https://www.treeoftenere.com Contact: contact.tenere@gmail.com
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  • The Orca Project from: Vancouver B.C., Canada year: 2016<br />
<br />
The Orca project is a large-scale sculptural installation of a pod of orcas travelling through the ocean. Constructed out of wood, the pod of orcas invites participants to walk amongst them, to climb on them and to listen to their sounds. The intent is for participants to ponder our own relationship to family, community, animals and the natural world while raising awareness about the declining population of orcas in the Pacific North West. URL: https://www.facebook.com/orcaproject/ Contact: erikmre76@gmail.com
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  • The Orca Project from: Vancouver B.C., Canada year: 2016<br />
<br />
The Orca project is a large-scale sculptural installation of a pod of orcas travelling through the ocean. Constructed out of wood, the pod of orcas invites participants to walk amongst them, to climb on them and to listen to their sounds. The intent is for participants to ponder our own relationship to family, community, animals and the natural world while raising awareness about the declining population of orcas in the Pacific North West. URL: https://www.facebook.com/orcaproject/ Contact: erikmre76@gmail.com
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  • The Orca Project from: Vancouver B.C., Canada year: 2016<br />
<br />
The Orca project is a large-scale sculptural installation of a pod of orcas travelling through the ocean. Constructed out of wood, the pod of orcas invites participants to walk amongst them, to climb on them and to listen to their sounds. The intent is for participants to ponder our own relationship to family, community, animals and the natural world while raising awareness about the declining population of orcas in the Pacific North West. URL: https://www.facebook.com/orcaproject/ Contact: erikmre76@gmail.com
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  • The Orca Project from: Vancouver B.C., Canada year: 2016<br />
<br />
The Orca project is a large-scale sculptural installation of a pod of orcas travelling through the ocean. Constructed out of wood, the pod of orcas invites participants to walk amongst them, to climb on them and to listen to their sounds. The intent is for participants to ponder our own relationship to family, community, animals and the natural world while raising awareness about the declining population of orcas in the Pacific North West. URL: https://www.facebook.com/orcaproject/ Contact: erikmre76@gmail.com
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  • LOVE from: Odessa, Ukraine year: 2015<br />
<br />
LOVE is a sculpture by Alexandr Milov. It demonstrates a conflict between a man and a woman as well as the outer and inner expression of human nature. The figures of the protagonists are made in the form of big metal cages, where their inner selves are captivated. Their inner selves are executed in the form of transparent children , who are holding out their hands through the grating. As it’s getting dark (night falls) the children chart to shine. This shining is a symbol of purity and sincerity that brings people together and gives a chance of making up when the dark time arrives. Contact: takoe.tm@gmail.com
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
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  • Life Cube Project from: Dobbs Ferry, NY year: 2015<br />
<br />
The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
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A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
    Duncan-Rawlinson-Photo-261097-Burnin...jpg
  • Life Cube Project Burn from: Dobbs Ferry, NY year: 2015<br />
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The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
    Duncan-Rawlinson-Photo-259503-Burnin...jpg
  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
    Duncan-Rawlinson-Photo-258876-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
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The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
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Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108446-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108443-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108374-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108355-Burnin...jpg
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