Duncan Rawlinson

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  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259770-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259815-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259752-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259741-Burnin...jpg
  • http://Duncan.co/x-marks-the-spot
    X Marks The Spot
  • Skeeball Or Riskee Ball (created by Christopher Guard & Site 3 coLaboratory) Every community needs an arcade, but for Black Rock City, not just any arcade will do. That’s why we’ve dreamed up the Charcade, where past and present interactive fire art and game installations come together to create the first ever fiery on-playa arcade! We’ve lured some old BRC favourites out of retirement and inspired a couple new pieces by bringing together a collective of 6 fire arts groups from across North America. The Charcade team has created a bank of 10 colossal metal Skee Ball machines that erupt fire, lovingly dubbed Riskee Ball. URL: http://thecharcade.com/ Contact: info@thecharcade.com
    Duncan-Rawlinson-Photo-37906-Burning...jpg
  • Point 3 and Burners
    Duncan-Rawlinson-Photo-37099-Burning...jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-3.jpg
  • Nickel Cup Hydroplane Regatta 3.jpg
  • https://Duncan.co/people-resting-on-a-bench
    Duncan-Rawlinson-Photo-95776-Day-Tri...jpg
  • https://Duncan.co/pylon-and-painted-cement-crack
    Duncan-Rawlinson-Photo-98976-Dusk-Ph...jpg
  • https://Duncan.co/above-the-crowd
    Duncan-Rawlinson-Photo-93694-Victori...jpg
  • https://Duncan.co/bolt-and-tower
    Duncan-Rawlinson-Photo-230507-CN-Tow...jpg
  • https://Duncan.co/water-splashing-at-dock
    Duncan-Rawlinson-Photo-293000-TIP-10...jpg
  • https://Duncan.co/the-breakdancer
    Duncan-Rawlinson-Photo-101324-Canada...jpg
  • https://Duncan.co/boarded-up-vessel-and-trees
    Duncan-Rawlinson-Photo-279174-Sunris...jpg
  • https://Duncan.co/basketball-player-passing-the-ball
    Duncan-Rawlinson-Photo-98898-Dusk-Ph...jpg
  • https://Duncan.co/tall-buildings-and-sky
    Duncan-Rawlinson-Photo-96034-After-T...jpg
  • https://Duncan.co/pylon-and-tugboat-in-the-snow
    Duncan-Rawlinson-Photo-218136-Snowy-...jpg
  • https://Duncan.co/lonely-people
    Duncan-Rawlinson-Photo-89627-Photowa...jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-1.jpg
  • http://Duncan.co/breakdancer-and-crowd/
    Breakdancer And Crowd
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-15.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-12.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-9.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-14.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-13.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-11.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-10.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-8.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-7.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-6.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-5.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-4.jpg
  • I left my ND filters at home by accident. Luckily there was a guy with a piece of glass from a welder's mask so we helped each other out. http://Duncan.co/partial-solar-eclipse-photos/
    Partial Solar Eclipse Oct 23 2014-2.jpg
  • https://Duncan.co/old-school-seo
    Duncan-Rawlinson-Photo-102475-July-P...jpg
  • https://Duncan.co/man-in-suit-and-bike-racks
    Duncan-Rawlinson-Photo-96102-May-201...jpg
  • http://Duncan.co/rainbow-and-airplane
    Rainbow And Airplane
  • http://Duncan.co/landing-gear-down
    Landing Gear Down
  • http://Duncan.co/sunset-after-storm/
    Sunset After Storm
  • https://Duncan.co/toronto-traffic-after-rain
    Duncan-Rawlinson-Photo-96010-After-T...jpg
  • Nickel Cup Hydroplane Regatta 15.jpg
  • http://Duncan.co/chimney-island-sunrise
    Chimney Island Sunrise
  • Burning Man 2015 268.jpg
  • Burning Man 2015 262.jpg
  • Burning Man 2015 263.jpg
  • Burning Man 2015 260.jpg
  • Burning Man 2015 256.jpg
  • Balloon Fiesta 2014 277.jpg
  • http://Duncan.co/canada-day-fireworks-2014-toronto/ http://Duncan.co/canada-day-fireworks-2014-toronto/
    Canada Day 2014 Fireworks 002.jpg
  • Dog And His Toy
  • Majestic Looking Dog
  • Man And Woman On A Bench
  • Bitcoin ATM TorontoDuncan-Rawlinson-...jpg
  • Toronto Sunrise and Aircraft
  • https://Duncan.co/downtown-toronto-lofts
    Duncan-Rawlinson-Photo-89151-Photowa...jpg
  • https://Duncan.co/toronto-skyline-at-sunset
    Duncan-Rawlinson-Photo-238404-Timela...jpg
  • https://Duncan.co/downtown-toronto-at-dawn
    Duncan-Rawlinson-Photo-245191-Sunris...jpg
  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
    Duncan-Rawlinson-Photo-261162-Burnin...jpg
  • Remnants of the Man Burn 2015
    Duncan-Rawlinson-Photo-261121-Burnin...jpg
  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
    Duncan-Rawlinson-Photo-261097-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260831-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260678-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260677-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260652-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260481-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260482-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260500-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260462-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260430-Burnin...jpg
  • The Man Burn 2015
    Duncan-Rawlinson-Photo-260398-Burnin...jpg
  • Fly Geyser
    Duncan-Rawlinson-Photo-260157-Burnin...jpg
  • Tesla Coil Detail
    Duncan-Rawlinson-Photo-259885-Burnin...jpg
  • Tesla Coil Detail
    Duncan-Rawlinson-Photo-259862-Burnin...jpg
  • Tesla Coil Detail
    Duncan-Rawlinson-Photo-259853-Burnin...jpg
  • Serpent Mother from: San Francisco, CA year: 2015<br />
<br />
The Serpent Mother is a 168′ long sculpture of a skeletal serpent, coiled around her egg. Propane fire runs down her spine, with 41 poofers erupting from the top of her gleaming vertebrae. Reaching 20’ in the air, her hydraulically-actuated head and jaws chomp at the sky.<br />
<br />
The serpent is a highly kinetic, participant-controlled installation. Fire effects are a major interactive and sculptural element of the piece, controlled by pushing buttons located on the ribs. The audience is invited to direct her movements, using controls that move the head and jaws, effectively making each show a unique event created by the participants.<br />
<br />
Twice every evening, the operator crew will perform methanol shows, shooting multi-colored flames 40′ in the air from the egg, illuminating the night sky. URL: http://flaminglotus.com/art/the-serpent-mother/ Contact: info@flaminglotus.com
    Duncan-Rawlinson-Photo-259734-Burnin...jpg
  • Serpent Mother from: San Francisco, CA year: 2015<br />
<br />
The Serpent Mother is a 168′ long sculpture of a skeletal serpent, coiled around her egg. Propane fire runs down her spine, with 41 poofers erupting from the top of her gleaming vertebrae. Reaching 20’ in the air, her hydraulically-actuated head and jaws chomp at the sky.<br />
<br />
The serpent is a highly kinetic, participant-controlled installation. Fire effects are a major interactive and sculptural element of the piece, controlled by pushing buttons located on the ribs. The audience is invited to direct her movements, using controls that move the head and jaws, effectively making each show a unique event created by the participants.<br />
<br />
Twice every evening, the operator crew will perform methanol shows, shooting multi-colored flames 40′ in the air from the egg, illuminating the night sky. URL: http://flaminglotus.com/art/the-serpent-mother/ Contact: info@flaminglotus.com
    Duncan-Rawlinson-Photo-259623-Burnin...jpg
  • Life Cube Project Burn from: Dobbs Ferry, NY year: 2015<br />
<br />
The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
    Duncan-Rawlinson-Photo-259503-Burnin...jpg
  • Compound Eye/"I" from: Newark, CA year: 2015<br />
<br />
Compound I” glistens like a totemic pillar of eyeballs as light undulates over its multifaceted orbs. Mirrored spheres, surfaced with lens-like convex mirrors, stack one atop the other to a height of 18’, referencing compound eyes of insects, forms of Buddha heads and the Mandelbrot fractal at once.<br />
<br />
Circling around “Compound I”, reflected light follows us…as if we are being watched. Looking into the shifting centers of the glistening lenses, we meet our own gaze. As we realize it is our own sight and form that animates these pupils, our sense of separate-ness from the art is challenged.<br />
<br />
Stepping away, we see our image simultaneously contract/overlap with everyone else’ onto the mosaic globes before us- a composite of shared reflection.<br />
<br />
The eye as instrument of reflection and the ‘I’ as object of reflection; boundaries blur between perspectives of inner and outer, personal and collective, to convey a picture of interconnectedness, with us as facets of a compound ” I “. URL: http://www.kirstenberg.com/compound-eyei/ Contact: kberginfo@gmail.com
    Duncan-Rawlinson-Photo-259453-Burnin...jpg
  • Compound Eye/"I" from: Newark, CA year: 2015<br />
<br />
Compound I” glistens like a totemic pillar of eyeballs as light undulates over its multifaceted orbs. Mirrored spheres, surfaced with lens-like convex mirrors, stack one atop the other to a height of 18’, referencing compound eyes of insects, forms of Buddha heads and the Mandelbrot fractal at once.<br />
<br />
Circling around “Compound I”, reflected light follows us…as if we are being watched. Looking into the shifting centers of the glistening lenses, we meet our own gaze. As we realize it is our own sight and form that animates these pupils, our sense of separate-ness from the art is challenged.<br />
<br />
Stepping away, we see our image simultaneously contract/overlap with everyone else’ onto the mosaic globes before us- a composite of shared reflection.<br />
<br />
The eye as instrument of reflection and the ‘I’ as object of reflection; boundaries blur between perspectives of inner and outer, personal and collective, to convey a picture of interconnectedness, with us as facets of a compound ” I “. URL: http://www.kirstenberg.com/compound-eyei/ Contact: kberginfo@gmail.com
    Duncan-Rawlinson-Photo-259415-Burnin...jpg
  • Truth is Beauty by Marco Cochrane and the Man
    Duncan-Rawlinson-Photo-259161-Burnin...jpg
  • Truth is Beauty by: Marco Cochrane from: Mill Valley, CA year: 2013<br />
<br />
Truth is Beauty is the second sculpture in a three-part series featuring singer/dancer Deja Solis, the first of which was Bliss Dance (2010). For Truth is Beauty, Deja stands on her toes, head back, arms raised, in an expression of radical self-acceptance and love. She can do this because she is safe. With the female body exposed and demystified you will see past what has been objectified and used to disempower: it’s the feeling, energy, strength, power… the person that remains. These sculptures featuring women safe in the present to express themselves, are meant to help raise consciousness around violence against women, begin a healing process to make room for women’s voices, and ultimately result in a balance of energy that will allow women and men to thrive… My intent is that these sculptures express this healing energy and inspire us to take action; to finally say enough is enough!
    Duncan-Rawlinson-Photo-258832-Burnin...jpg
  • Playa Bike Name Unknown
    Duncan-Rawlinson-Photo-258956-Burnin...jpg
  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
    Duncan-Rawlinson-Photo-258876-Burnin...jpg
  • Fireworks at the Man Burn 2014
    Duncan-Rawlinson-Photo-109018-Burnin...jpg
  • Fireworks at the Man Burn 2014
    Duncan-Rawlinson-Photo-109005-Burnin...jpg
  • The Man on Burn Night 2014
    Duncan-Rawlinson-Photo-108994-Burnin...jpg
  • The Man 2014 on Burn Night
    Duncan-Rawlinson-Photo-108852-Burnin...jpg
  • Center Camp 2014
    Duncan-Rawlinson-Photo-108695-Burnin...jpg
  • Burners Dancing
    Duncan-Rawlinson-Photo-108699-Burnin...jpg
  • The Temple 2014
    Duncan-Rawlinson-Photo-108621-Burnin...jpg
  • The Temple 2014
    Duncan-Rawlinson-Photo-108605-Burnin...jpg
  • The Man is prepared to Burn
    Duncan-Rawlinson-Photo-108581-Burnin...jpg
  • The Man at night 2014.
    Duncan-Rawlinson-Photo-108567-Burnin...jpg
  • The Man at night 2014.
    Duncan-Rawlinson-Photo-108555-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108446-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108443-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108374-Burnin...jpg
  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
    Duncan-Rawlinson-Photo-108355-Burnin...jpg
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